Afterschool program in Ward 7 proves positive connection between art therapy and economic, social success

Art therapy in Heisa Island Aswan

Art therapy in Heisa Island Aswan (Photo credit: rouelshimi)

By Nicole Lafond

Editor

An afterschool arts program in a struggling D.C. neighborhood recently helped African American boys and young men develop goals for their future, as a part of the program’s adolescent art project.

As a component of an art education series, NPR published a piece this week about the afterschool program, Life Pieces to Masterpieces, an art program for boys and young men in the Ward 7 neighborhood.

This program strives to give boys and young men living in the area a safe place to go after school to express themselves and form positive, mentored relationships, NPR reported. Life Pieces to Masterpieces teaches boys and young men in the program values through “The four C’s,” which are Connect, Create, Contribute and Celebrate. Program participants are called apprentices.

The program was strategically established in a struggling neighborhood in D.C., Ward 7.

According to the organization “Ward 7 for Life,” a group that strives to combat the rise of HIV/AIDS infections in the area, Ward 7 has the highest rates of teen pregnancy, unemployment, rates of recidivism, persons living below the poverty level and single women as heads of households in D.C.

A co-founder of Life Pieces, Mary Brown, told NPR the program specifically focuses on younger males in this neighborhood because of the struggling reputation the neighborhood holds and the statistical nature of male reactions to emotions and tragic life experiences.

“The little boys and young men [have] been exposed to all types of horrific things. And being the natural little boys and young men that they are, they swallow it all.”

In a recent art project, the young apprentices artistically developed and expressed their goals for the future. Most of the boys dreamed of becoming pro athletes, NPR reported.

Through these different types of activities, the mentors hope the apprentices in the program not only develop aspirations, but also learn that it is OK to share these feelings with one another, mentor Maurice Kie told NPR. This type of atmosphere is an “urgent need” in D.C., according to the organization’s website.

“A home away from home … That’s what Life Pieces to Masterpieces provides to the hundreds of African American young men and boys growing up in Washington, D.C.’s most poverty-stricken and volatile neighborhoods. And, in a city with the highest rate of poverty in the United States, there is an urgent need for this loving, safe environment for expressing fear, anger, hope and joy.”

All of the mentors and apprentices in the program are males, which helps the younger boys develop a male-figure relationship that many in Ward 7, statistically, are lacking.

Brown considers the program to have been a continued success since its founding in 1996. 1,000 young men have gone through the program and just shy of 100 percent of them graduated high school and went on to higher education.

According to Brown, the statistics of the program speak loudly for the important role art plays in cognitive and social development. “The paintings are not the masterpieces, our boys lives are the masterpieces,” Brown told NPR.

Because of the success of programs such as Life Piece to Masterpiece, I am convinced that art therapy programs are the best methods of igniting positive social and cognitive development and rehabilitation in children and adults, mainly because participants do not necessarily recognize that they are going through therapy.

A study published in World of Psychology last year studied the role of art therapy in occupational and social development. Those surveyed were given the choice between different types of “therapeutic” activities. Art therapy was the most popular out of the 16 choices.

However, after completing the “art therapy,” the majority of study participants indicated that they found the activities to be unhelpful and unbeneficial to their personal occupational and social development.

The author of the study argued that because the study participants were distracted by the actual activity, they were less likely to recognize short-term results, but would, likely, over time, feel real therapeutic results.

The engaging nature of art therapy programs may be the very reason it is highly successful as a means of counseling or therapy.

This claim is not a new argument, either.

Artistic legend, Pablo Picasso once said, “Art washes away from the soul the dust of everyday life.”

And sLife Pieces to Masterpieces is not the only program in D.C. to have recognized the importance of art therapy in cognitive and social development.

Organizations such as Art Therapy and Art Group at Thrive have harnessed the idea of art therapy as well, making the practice of “creating” the main aspect of their counseling and therapy services.

Art Therapy group recognizes the importance of art in various aspects of development, calling it an integral part of their organization’s mission on the group’s website.

“[Art Therapy] is based on the belief that the creative process involved in artistic self-expression helps people to resolve conflicts and problems, develop interpersonal skills, manage behavior, reduce stress, increase self esteem and self awareness, and achieve insight.”

Along with being integral as preventative and development services, art therapy also plays a role in rehabilitation at organizations such as Thrive, which provides art therapy sessions four times a week for the homeless, StreetSense reported.

Following those lines, a group called Art Therapy in Prison is currently conducting and collecting research about the essentials of art therapy as a rehabilitation measure in prisons. This organization has recently done extensive research into the positive results art therapy can have on individuals with anger issues and what types of preventative roles the results could play in prisons.

This concept ties back to the success of art therapy and the idea that because people are engaging in activities that only relate to their issues theoretically, rather than practically, the therapy sessions can have a stronger, or more lasting, impact.

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Blue Streak invades your space

*Photo courtesy of the Hamiltonian Gallery

Photo courtesy of the Hamiltonian Gallery

By Lanie Rivera
Editor

Art has been known to defy conventional practices and surprise viewers for years. But this recent installation at D.C.’s Hamiltonian Gallery goes one step further — it invades your personal space.

A giant blue construction in the gallery’s hallway makes it hard for visitors to walk through without feeling uncomfortable.

You must be thinking: what’s the artist’s point?

“Blue Streak,” as it’s named, “is about these moments of awkward choice. It’s more about art-making and art-experience than it is about the distinct interpretation of a made object … about contemplating space, the memory of space, the expectations of space, and the mechanics of space as experienced by each individual viewer,” according to the Examiner.

Go check out artist Timothy “Mike” Thompson‘s piece in the “Gathering Space” exhibition.

Art students use NEXT exhibit to address political issues

Kim Jong Un

Oil painting of Kim Jong Un, the leader of North Korea, by student Robert Yi.
*Photo courtesy of VOA

By Lanie Rivera
Editor

Art students from D.C.’s Corcoran College of Art and Design presented their final art projects at the college museum, on display until May 19, many of which have a politically charged meaning.

The students’ artwork has been compiled into an exhibit called NEXT, the name symbolic of the students who will receive their degrees move on from the undergraduate art program in May.

Robert Yi, a student from South Korea, presented many paintings in the exhibit, including one of North Korea’s leader, Kim Jong Un.

He explained his intended message to Voice of America:

“My paintings are called Mask paintings. And it’s the idea that, in society today, no matter where you are, people put on a mask,” he said. “That idea is expressed in North Korea because the people of North Korea, the citizens, put on a face…they’re required to act happy.”

Other students targeted different political issues.

Jason Tucker, a fine art photography major, sought to reflect his homosexual identity in his artwork by researching the meaning of derogatory terms for homosexual people.

“I started doing a lot of research into words that have a specific meaning within a gay male context, and so I started with the word ‘faggot,'” he said. “The root of the word comes down to ‘a bundle of sticks.’ So I started with that and wanted to make a self-portrait. So I ended up collecting my exact body weight in sticks…I wanted to take something that I’ve been called before, that was an epithet, and make something beautiful out of it.”

Read more about the D.C. students’ art exhibit here.

Stipends for D.C. art teachers help buy supplies

Photo by Lanie Rivera

Photo by Lanie Rivera

By Lanie Rivera
Editor

For every loss arts programs suffer, there seems to be an equal, opposing force in support of arts programs; the latest contribution was to D.C. public and charter schools’ arts initiatives, thanks to the DC Arts and Humanities Education Collaborative(DHAHEC).

On April 3, the DHAHEC partnered with Plaza Art to announce that they will offer a limited amount of free stipends for D.C. teachers to buy art supplies from Plaza Artist Materials.

D.C. public or charter school art teachers can apply for a stipend of $150 or less. The funds are meant to help implement Visual Art lessons in the classroom.

Teachers are encouraged to apply through this on-line form.

To read the full story, click here.

One Million Bones installation to speak for over a million stories

*Check out this video of a similar project (50,000 bones) in Albuquerque, New Mexico in 2011 

By Lanie Rivera
Editor

An art installation made of one million bones is scheduled to be displayed at the National Mall in June; the goal is to make a minute but powerful representation of the people who have suffered from mass genocides and atrocities across the globe.

Photo courtesy of www.kearneyhub.com

Photo courtesy of http://www.kearneyhub.com

The One Million Bones project demonstrates the strength of art as a social call to action against injustices.

The bones, created by art students and teachers of Kearney High School, Horizon Middle School, Kearney Catholic and Sumner Public School, are ceramic.

Residents of central Nebraska were invited to participate in the project on April 6 at the Museum of Nebraska Art by molding bones themselves.

To learn more about the project, visit the project’s website. Read the full article here.

Art used to merge the District’s two cities

Left: The District's famous Washington Monument, frequented by tourists. Right: a mural in Brookland, a less-visited neighborhood that has attracted visitors with its art.

Left: The District’s famous Washington Monument, frequented by tourists. Right: a mural in Brookland, a less-visited neighborhood that has attracted visitors with its art.

By Lanie Rivera
Editor

District Mayor Vincent Gray recently proposed a budget for fiscal year 2014 that would raise the public city arts budget by $2.3 million; city officials wish to invest the funds into neighborhood art projects to encourage tourists to visit under-trafficked areas of the District, according to the Washington Examiner.

I hold the belief that this infusion of funding is an attempt by Gray and other city officials to create a city with appealing aspects beyond its historical and political landmarks.

And if neighborhoods and historic landmarks were equally inviting, I would also argue that the duality of the District would intertwine. Washington, the political, wealthy city, would merge with D.C., the multigenerational residents who have a stake in the District.

Lionell Thomas, executive director of the DC Commission on the Arts and Humanities, told the Examiner that the neighborhood projects would establish the whole District as an artistic epicenter:

People think of the Mall as the place to go for artistic activities … The new strategy creates that whole vision — the city is a vibrant and wonderful place.

And an influx of visitors in lesser-visited neighborhoods would likely promote neighborhood beautification and renovation. Neighborhood visitors would see there is more to the District than the famous statues and museums that people typically plan to visit.

Furthermore, tourism in both Washington (museums and politics) and D.C. (neighborhoods and local hangouts) would weave the two parts together. This contrast is well explained by Adam Serwer in a 2011 article titled “A City Divided,” published on the American Prospect:

Washington spills out of downtown Metro stations at 8 A.M.; D.C. huddles on crowded buses at 6 A.M. On Sundays, when Washington goes to brunch, D.C. is in church. Washington clinks glasses in bars like Local 16 in its leisure time, while D.C. sweats out its perm at dance clubs like Love or DC Star. Washington has health-insurance benefits, but D.C. is paying out of pocket …

Although this duality has existed for quite a while, these two parts of the District have, arguably, already begun to meld together within the past few years, but not equally — some residents believe Washington has overshadowed D.C.

In his 2013 State of the District Address (according to the prepared text), Gray said that the District is becoming a higher class area. The city was previously recognized for its cultural and economic diversity; the career-focused transplants from all over the country mingled with the District locals whose families had grown up in the area for generations.

Now, though, Gray noted that he was afraid the city was overwhelmingly inhabited by residents with white collar careers:

We once worried about the District becoming a city of “haves” and “have-nots.”  But now we are increasingly in danger of becoming a city of only “haves.”

Some District natives have noticed the same shift.

NY Times writer Latoya Peterson, a District resident, shared her experience with the city’s divide that confirmed Gray’s worry. She wrote that the political bustle of Washington is taking over D.C. in her January 2013 op-ed piece:

My block today looks completely different from the way it did when I moved in just a few years ago. Italian wine bars and trendy street food arrived, bringing a diversity-lite mix of patrons. Washington is taking over, yet vestiges of D.C. remain.

Under-trafficked neighborhoods may be considered these “vestiges.” If tourists were drawn into local neighborhoods, I argue that central Washington and hidden D.C. would be equally celebrated. Art installations, as suggested by city officials, would be one method to entice visitors into neighborhoods and promote equality among the two faces of the city.

Although I have not read any residents’ reactions to this proposition, many officials have endorsed the idea. At-large Councilman David Grosso told the Examiner that an artistic landmark would create a well-rounded city, adding a creative, authentic flare to a predominantly federal city:

Just like Chicago has “The Bean” (officially titled Cloud Gate), a shiny, odd-looking, permanent fixture of Millennium Park that draws flocks of gaping onlookers, the District needs its own distinctive centerpiece, [Grosso] reasons – not another obelisk for a former president.

Grosso and others think that the District is not a large player in the arts scene. These city officials support Gray’s decision to fund the arts because most big cities have large art pieces that attract visitors.

Jennifer Cover Payne, head of the Cultural Alliance of Greater Washington, told the Examiner that she believes the Gray’s proposition is a great sign following years of an artistic drought.

” ‘When there was an downturn in the economy, the arts downturned even more,’ she said. ‘Now … D.C. is ready for a renaissance.’ “

[WC: 777]

National Gallery of Art promotes self-guided tours with new mobile app

Image courtesy of the National Gallery of Art

Image courtesy of the National Gallery of Art

By Lanie Rivera
Editor

The National Gallery of Art (NGA) encourages visitors to be their own tour guides.

NGA released “Your Art,” its new, free app for the iPad, iPhone and iPod Touch last week.

The app allows visitors to explore the galleries through two self-guided tours. It also keeps consumers up to date with a list of events and exhibitions, images of various works housed at the museum, as well as visitor information.

And if you haven’t jumped onto the Apple bandwagon, NGA allows visitors to borrow one of 20 iPod Touches from the West Building Audio Tour Desk.

For more information, read this article by the Washington City Paper.