A self-proclaimed walking paradox, artist Viktor Mitic is not afraid to destroy what he creates.
This last week, Mitic hit the streets of D.C., as well as a few local art exhibits, with his piece, entitled “Incident.” The work of art is simple- a small yellow school bus decorated with bullet holes from 6,000 rounds of ammunition.
At first glance, it resembles an unspeakable tragedy, at second glance, a provocative statement that needs to be made.
The “Incident” made its U.S. debut last weekend, as it was placed on the back of a tow truck and driven around downtown Washington, D.C, The Washington Post reported. Many onlookers interviewed by The Post were disturbed by the piece, and some were inquisitive about the artist’s technique.
Regardless of individual reactions, the “Incident” is proof that art is necessary, and is many times the most effective means of grabbing public attention and provoking civic engagement.
Mitic originally created the “Incident” in light of a case of gang violence in his home town of Toronto, but was asked to bring his piece to the U.S. this week to be shown at an art exhibit held at the First Congregational Church of Christ in NW D.C. entitled the “Newton Project: Art Targets Guns.”
The piece made its original debut at the Toronto International Art Fair in September 2012.
The exhibit will last until May 19 and was put together in order to illustrate the need for more restrictive gun laws after the Newtown tragedy, through art. 40 different works of art will be on display at the First Congregational Church of Christ.
Revered Sid Fowler of First Congregational Church of Christ said on the church’s events blog that he believes art can go farther than news reports and legislation.
“Art goes deep into our imaginations and hearts. We can experience what often is difficult to articulate in words. God can call us, disturb us, and inspire us through the gifts and insights of art. Our hope is that many people will see the images these artists have created and inspire greater public support for effective laws that will restore hope to survivors of violence and to our communities.”
The piece was also on display for three days at George Mason University. An opening discussion was held Monday and hosted by Helen Frederick, the University’s professor of printmaking in the School of Art. Mitic was invited to lead a discussion with students about the process of “Incident’s” creation, according to GMU’s Newsdesk.
Frederick told GMU’s Newsdeck that she believes Mitic wants to send a vivid message about the issues and dangers of guns in society. She hoped the display of the piece at GMU would not only provoke discussion, but also political awareness for students on campus.
“Mr. Mitic’s artwork provides an important and relevant project for our students, and I am confident that his discussion with our students will spark a dialogue about the gun control bills now in Congress.”
Although Mitic told The Post he refuses to think of himself as an activist, the statement made through this piece is clear, if only because of the intentions of the Newtown art exhibit in which it will be held this next month.
Despite claims of anti-activism, Mitic, at the very least, believes there is power in the usage of a weapon as an artist medium, as he has shot countless bullets through his artwork many times before.
For example, he created a series of pop art pictures this year of notable figures such as John Kennedy and Marilyn Monroe, and outlined them with bullet holes. The series will be on display this month in Toronto.
At the end of the day, Mitic is a tranquil artist, using a weapon as a medium in order to simply create an uncomfortable paradox. He wrote a book entitled “Art or War” and speaks of his artistic intentions on his website’s biography page.
“The uneasiness with which people perceive weapons, since they were made for one purpose only (to destroy something living) puts me in an unique position—I use weapons to re-create iconic images. I carefully shoot the outline of the subject painted to generate the feeling of tranquility.”
As illustrated in the gun-control movement after the Newtown shootings, discomfort, whether through art or national tragedy, may sadly, be the only way to ignite change today.